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Seminar

Transcrire des données : protocole et objectifs d’une transcription - projet Tact

Digital humanities at the heart of cultural heritage
Thursday 24 February 2022 Thursday 24 February 2022
From 2 to 4 PM
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Alignement et comparaison de textes pour les humanités numériques
Université de Corse Pasquale Paoli / online

Université de Corse
Avenue Jean Nicoli
20250 Corte
France

42.305616, 9.1555418

Intervention d'Anne Garcia‐ Fernandez, Ingénieur de recherche au CNRS, UMR 5316 Litt&Arts ‐ Université de Grenoble

La présentation, en s'appuyant sur l'exemple de la plateforme TACT, montrera l'intérêt de considérer la phase de transcription des sources comme un projet en soi : définition des besoins, sélection du corpus, adéquation u schéma de transcription avec les objectifs scientifiques du projet, constitution d'une équipe et d'un protocole de travail... Partant du principe que ce projet de transcription est un sous‐projet d'un projet plus large, nous verrons l'importance de choisir un outil capable d'entrer dans un flux de traitement et donc capable de ré‐utiliser et d'être ré‐utilisé.

La plateforme TACT permet d’héberger et de mener à terme des projets de transcriptions. Les responsables de projets créent leur propre espace de transcription en l’adaptant à leurs besoins : modèle de transcription, structuration du corpus, public de transcripteurs, visualisation des transcriptions, flux de validation, etc. TACT a été conçue pour favoriser l’autonomie et la gestion des projets, de la création à l’export des données.

Thursday 24 February 2022
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corte

Digital humanities at the heart of cultural heritage

January 13 - June 30, 2022

With the explosion of the new technologies, the scientific and cultural contents are diffused more and more frequently by the means of the digital; the critical apparatuses which accompany them also tend to be sophisticated. New practices of reading, exploitation, and diffusion are established. To apprehend these new phenomena, a discipline is emerging: Digital Humanities. Its definition, still in flux today, tends to focus on the creation of new knowledge in the humanities and social sciences. The changes, radical and profound, are not only technical but also epistemological, sociological and cognitive.

Moreover, digital content must respect the good practices that are affiliated with them. Structured and documented according to standard and interoperable formats, they pose before our eyes new objects of knowledge that require exploitation tools as well as innovative visualization processes.

These visualization techniques are becoming a crucial issue for all publishing and digital content management projects. They allow, for example, to highlight the ignored aspects of a work, to support a study, to deepen a research track or to provide evidence to a reasoning. But to do this, it is necessary to become aware of new ways of reading and acquiring encoded documents.

Our seminar will expose the main initiatives and practices related to digital humanities in order to publish and exploit cultural content. Digital publishing responds to encoding principles capable of interpreting the diversity of textual meanings in computer tags. The goal is not, however, to train in a tool or a method: that would narrow the scope of an emerging discipline. Rather, we would like to provide a historical overview of the issues and propose elements of approach in the management of cultural heritage.

The entire cycle of seminars takes place in person at the University of Corsica Pasquale Paoli, in the immersive room of the UMR 6240 Lisa (Simeoni building.) Health pass required.

It can be followed remotely in livestreaming on request sent by email to dhlive@univ-corse.fr. Scientific leaders: Christophe Luzi and Richard Walter.

For more information, see the presentation page on the UMR Lisa website.