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Seminar

Présentation du projet des Archives de la Corse avec la Bibliothèque Nationale de France et le Pôle Associé Corse

Digital humanities at the heart of cultural heritage
Thursday 23 June 2022 Thursday 23 June 2022
From 2 to 4 PM
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Université de Corse Pasquale Paoli / online

Université de Corse
Avenue Jean Nicoli
20250 Corte
France

42.305616, 9.1555418

Intervention de Théodora Balmon, Responsable du Service Commun de Documentation (Bibliothèque Universitaire) de l’Université de Corse

Les pôles associés documentaires de la Bibliothèque Nationale de France (BnF) ont pour dessein de conserver et communiquer au public ou de valoriser des collections auxquelles la BnF, pour leur intérêt scientifique et leur valeur patrimoniale, reconnaît un intérêt national. Leur objectif commun de mettre en valeur le patrimoine documentaire par le biais de programmes pluriannuels et de projets diversifiés, conjointement définis. A ce titre, le pôle associé Corse, constitué par la Collectivité de Corse, la Ville d’Ajaccio, la Ville de Bastia et l’Université de Corse Pascal‐Paoli s’assigne trois lignes d’intérêt primordiales : d’abord le signalement des fonds patrimoniaux, anciens, locaux et spécialisés de Corse et leur valorisation. Ensuite la valorisation numérique des collections patrimoniales conservées par les établissements documentaires de Corse. Enfin l’échange de contenus et de pratiques dans la perspective des événements culturels organisés en Corse ; la valorisation par le pôle associé des ressources d’intérêt local et régional de Gallica sur ses sites et auprès de ses publics, sera assurée notamment dans le cadre d’opérations de médiation, afin d’en faciliter la réutilisation.

Thursday 23 June 2022
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Digital humanities at the heart of cultural heritage

January 13 - June 30, 2022

With the explosion of the new technologies, the scientific and cultural contents are diffused more and more frequently by the means of the digital; the critical apparatuses which accompany them also tend to be sophisticated. New practices of reading, exploitation, and diffusion are established. To apprehend these new phenomena, a discipline is emerging: Digital Humanities. Its definition, still in flux today, tends to focus on the creation of new knowledge in the humanities and social sciences. The changes, radical and profound, are not only technical but also epistemological, sociological and cognitive.

Moreover, digital content must respect the good practices that are affiliated with them. Structured and documented according to standard and interoperable formats, they pose before our eyes new objects of knowledge that require exploitation tools as well as innovative visualization processes.

These visualization techniques are becoming a crucial issue for all publishing and digital content management projects. They allow, for example, to highlight the ignored aspects of a work, to support a study, to deepen a research track or to provide evidence to a reasoning. But to do this, it is necessary to become aware of new ways of reading and acquiring encoded documents.

Our seminar will expose the main initiatives and practices related to digital humanities in order to publish and exploit cultural content. Digital publishing responds to encoding principles capable of interpreting the diversity of textual meanings in computer tags. The goal is not, however, to train in a tool or a method: that would narrow the scope of an emerging discipline. Rather, we would like to provide a historical overview of the issues and propose elements of approach in the management of cultural heritage.

The entire cycle of seminars takes place in person at the University of Corsica Pasquale Paoli, in the immersive room of the UMR 6240 Lisa (Simeoni building.) Health pass required.

It can be followed remotely in livestreaming on request sent by email to dhlive@univ-corse.fr. Scientific leaders: Christophe Luzi and Richard Walter.

For more information, see the presentation page on the UMR Lisa website.