British Theatre Criticism (2010-2020) Through Digital Technologies

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Since 2010 in England, a wave of blogs written by authors coming from various horizons has arisen on the Internet. Students, theatre professionals but also mere amateurs began publishing their own theatre reviews. These new independent voices in the digital space progressively redefine the shape of classic journalistic criticism. Although discreet, they offer a new vision of the history of Londonian theatres. By doing so, it sets itself apart from the canon of mainstream journalism. By focusing on 40 000 theatre reviews regarding London plays (2010 – 2020), this research aims to examine the differences and similarities between these two communities. This work is at the crossroad between data science and theatre studies. While the former is required in order to analyse these thousands of pieces of information, the latter is necessary to develop a more thorough analysis.

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Team

Since 2018, thisPhDhasbeenfullyfunded by theEURTranslitterae at theEcole normale supérieure. MylèneMaignant is at theorigin of thiswork. Sheobtainedtwo Master’s degrees, thefirstone in Englishliterature (Sorbonne University) and the second one in Digital Humanities (Paris Sciences et Lettres). For six months, twointerns have beenveryhelpful in shapingthisproject. Damien Pellé, student in Linguistics at Poitiers University, participated to creatingthecorpora. GaëtanBrison, former student at EDHEC Business School and now data scientist, contributed to implementingthealgorithms. A websitehasbeencreated in order to show thefirstresults and the future pathstheyintend to explore.

• Thierry Poibeau, Director of Research at CNRS working at LATTICE, research unit of the Ecole normale supérieure
• Damien Pellé (part-time internship, 6 months), Poitiers University), Gaëtan Brison (full-time internship, 5 months), EDHEC Business School)

Workshops

• June 24 - 25, 2021. "Reception and the Digital: When Theatre Criticism Goes Through the Computer Screen," Conference "Reception: Contemporary Perspectives," Organized by Jagna Oltarzewska, Anne-Valérie Dulac, and Cécile Beaufils (VALE Laboratory, Sorbonne University), Sorbonne University, Paris.
• June 18, 2019. "British Theatre Criticism considered in the light of digital technology," Doctoral Student Study Day, Organized by doctoral students of the LATTICE laboratory (Ecole normale supérieure / Paris Sorbonne Nouvelle), Lattice Laboratory, Montrouge.